Can it be helped to be moved by certain types of portraiture, creating that peculiar connection both subtle and irresistible, that serves to rouse the curiosity and imagination of the audience? As shown in this piece,
A Portrait, ~
Wolfie-chama's brushstrokes clearly possess that authority. Please enjoy a closer look. (
Featured by
`snowmask )
harrisonfreeman97@hotmail.co.uk
If you have friends that are interested that are also interested, please just tell them to send me an e-mail.
For the first part I do the pencil outline using 8B pencil on canvas, then apply layer after layer of transparent, watery washes (a little like watercolour) using a large brush to get the overall look. I use a lot of wet-on-wet glazes of colour, and mix the colours on the canvas itself, but you might prefer to get them right on your palette before applying the paint. By the end of this part the values of the shadows should be just right, while the lighted areas can be slightly darker as I would touch them up with opaque paint.
The second part is basically just touching up and adding more details using a tiny brush loaded with no water and lots of paint. I try to mix my colours frequently so that the final product will have a lot of subtle colour changes. Make sure to keep the paint really thick and concentrated, so cleaned brushes have to be dried, and I give my colour palette the occasional light spray of water to keep paint from turning to stone.
Hope this helps. : ]